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Late Telugu superstar Krishna‘s daughter, actor Manjula Ghattamaneni has penned a heartfelt note for her late father, after he passed away on Tuesday, November 15.",

Since then, Kashyap has been frequently questioned about his support for Vanga, even by his daughter Aaliyah Kashyap. Now, the Gangs of Wasseypur director has opened up about the factors that prompted him to meet Vanga. Drawing comparisons to his own experience during the production of Bombay Velvet, Kashyap stated that watching Vanga succeed gave him a sense of satisfaction.",

According to sources, Shriram Properties filed the draft red herring prospectus (DRHP) on Friday.",

Anil Kapoor attended the premiere of The Night Manager 2 in an all-black monochrome outfit. The actor wore a relaxed-fit black shirt with a high-low hem, a pair of black jeans, and black sneakers."

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Bollywood star Deepika Padukone has opened up about the rise of Indian cinema on the international stage. With All We Imagine as Light winning the Grand Prix at Cannes 2024, Deepika’s statement has become topical. Talking about the newfound attention on Indian cinema, Deepika said that it has less to do with the way we are making films and more to do with the West opening up to our brand of cinema. ",

As many as 27 oxygen cylinders were found at the private neonatal care facility in East Delhi’s Shahdara and five of them were found to be burst, according to the FIR lodged in the case of the fire which claimed the lives of six newborn babies early on Sunday.",

The under-appreciation of comedy is no laughing matter. For far too long, funny movies have been relegated to the rafters by audiences, critics, and awards bodies because they’re all mistaking lightheartedness for a lack of sincerity. It’s a reductive view of a genre that has produced some of the most enduring classics of not just global, but also Indian cinema. Kunal Kemmu’s Madgaon Express is a fine recent example. Destined to become a cult classic the movie has just the right amount of soul to temper its silliness it will probably not be honoured come awards season.",

Madhuri Dixit redefined the Bollywood actress — she could be both sensual and coy in the same film, played the vengeful widow and melted the screen with her million-dollar smile. Even in the ‘80s, she didn’t fear kissing a much older actor (Vinod Khanna in Dayavan) on-screen, creating an uproar, nor did the idea of looking into the eye of her mother-in-law and defying her (Beta), in the ‘90s, ever make her uncomfortable. Madhuri Dixit Nene was more than just the ‘Dhak Dhak girl’ the moniker in itself meant she was desired by the whole nation even as producers were willing to put money on her the versatility in her roles, and her choices of ground-breaking scripts, which can be called ‘bold’ in the late ‘80s and the ‘90s, makes her an actor ahead of time, who managed to break the mould of the conventional heroine, despite her commercial success and gaudy, loud costumes. "